My latest poetry book "Apperception" highlights the intense dreaming process I experienced during the confinement
due to our vulnerability caused by the pandemic. In the book, I tried to write about the reasons that brought about the Covid-19 crisis by referring to 18th century London life through the etchings and paintings of William Hogarth, the satirist
Emily Bilman's poems are of astonishing power and intensity. She is forensic in her descriptions, startling in her imagery and the depth of feeling she conveys is almost frightening. Some of her poems explore - without the slightest trace of sentimentality - her relationships with her father, her son and her husband. "Malaria sweated my husband's body into a rainforest./Mosquitos seized his skin, raided his blood/and he convulsed like stung tuna on the line" ("Malaria"). But there are many subjects here - with hidden connections and strange resonances. In "The Present", she perfectly describes the act of writing a poem and the pleasure it provides: "The present prolonged is wondrous delight". In "The Screen", a poem about watching a TV programme on the concentration camps, she captures not just the horror but a sensitive viewer's reaction to the horror: "...I was, at once,/Inside and beyond the mass of bones..." Her poems are enriched by her affinity with the natural world and her deep knowledge of the arts. I know I will read this book again and again.
by Duncan Fraser
Dr. Emily Bilman is London's Poetry Society Stanza representative in Geneva. Her doctoral dissertation, The Psychodynamics of Poetry: Poetic Virtuality and Oedipal Sublimation in the Poetry of T.S. Eliot and Paul Valery was published by Lambert Academic in 2010 and Modern Ekphrasis in 2013 by Peter Lang. Her poetry books, A Woman By A Well (2015), Resilience (2015), and The Threshold of Broken Waters (2018) were published by Troubador, UK. Poems were published in The London Magazine, Poetry Salzburg Review, Offshoots, San Antonio Review, Expanded Field, Poetics Research, Oxford School of Poetry Review, The Battersea Review, The Blue Nib, Poetica Review, E.Ratio, Tipton Poetry Journal, Breadcrumb no. 565, ExTempore, North of Oxford Journal, Trouvaille Review, Three Line Poetry, Otherwise Engaged Magazine, Wild Court. She blogs on http://www.emiliebilman.wix.com/emily-bilman