Plays involving physics and physicists appear to have become an independent genre in drama. In his controversy with Nobel prizewinner, Max Born, Einstein wrote in 1926 that he was convinced that God does not throw dice, (i.e. that physics is deterministic, not probabilistic, as claimed by Niels Bohr and Werner Heisenberg), from which the name of the book, "The Dicethrower". Bertolt Brecht in his "Life of Galileo" popularized a genre of drama based on the authentic framework of a scientist's biography in which the imagined action and dialogue form the essence of the play. Michael Frayn's play "Copenhagen", using this genre, was based on a meeting in occupied Copenhagen in 1941 between Niels Bohr and his former assistant Heisenberg, head of the nuclear energy project in Nazi Germany. The play, although devoted to discussions between two physicists, nevertheless drew record "lay" audiences, running more than 300 performances in both London and New York. Maroudas' "Dicethrower" belongs to this genre, although he allows himself more licence with the life of Einstein than did Brecht or Frayn, and to emphasize this Einstein becomes Dreistein in a "third parallel universe", although the biographical framework, as well as the letters quoted, are essentially authentic. Maroudas gives a comprehensive overview of the life and times of Einstein - his profound scientific insight, his troubled relations with his first wife Mileva Maric, his overt and courageous anti-militarism in a Germany up to its neck in the fervour of a patriotic war - with a light and sympathetic, but sometimes ironic touch. The text is slowed down occasionally by scientific clarifications, but on the whole it is coherent and smoothly flowing, providing most enjoyable reading.
by Prof Colman Altman, Physics Dept, Technion email@example.com
Nicolas George Maroudas was born in South Africa, of Greek father and Anglo-South-African mother, in 1934. He met his wife Alice, a Polish holocaust survivor, on a Chemical Engineering course at Witwaterstrand University in 1950. They settled in London, had three children, obtained PhDs and entered research careers in Cell Biology and Biomedical Engineering. He is now retired and lives in Lower Galilee, Israel. He is an agnostic who blunders around in a dazed state of wonder and gratitude at the marvelous privilege of going through a life. He has published a few scientific papers and devised an accurate hexadecimal notation for musical overtones to simplify key relationships. His hobby is coding classical music in this notation for high resolution digital replay.