Troubador It's Figuration, Groundly

Released: 28/03/2017

ISBN: 9781788036436

Format: Paperback

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It's Figuration, Groundly

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John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.

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John  McGreal

John McGreal was born in 1945. He lives in South London. He is divorced with a daughter, Frances.

His writing has emerged out of his practice as a visual artist, which has

always included an interest in use of text. This focus on spacial aspects of language was exemplified in his first solo art show, How Is It?, an exhibition of prints in July, 2006 at The Irish Cultural Centre in Hammersmith, London to commemorate the centenary of Samuel Becket. As an artist he has worked as a Visiting Tutor at Camberwell College of Art since gaining a Distinction in MA Book Arts there (2002)and a First in BA Fine Art at Central St Martin's School of Art (2001).

His interest in writing the silent voice and internal monologue also emerged from the experience prior to that in the Eighties and Nineties, when he practiced as a psychiatric and addiction counsellor - and then as a psychoanalytic counsellor, getting a Distinction in the Postgraduate Diploma in Psychoanalytic Counselling at Goldsmith's College, London (1992).

His attention to detail in punctuation and the inner spacial workings of written language has stemmed too from the time in the Seventies when he worked as a free-lance translator for Routledge and Kegan Paul and The Harvester Press.

He has always retained an interest in the social context of writing since working in the early Seventies and late Sixties as an academic sociologist at The Open University, The London School of Economics and Leicester University where he got a First in BA Soc.Sci.(Sociology)in 1967.

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