Published: 01/09/2012
ISBN: 9781780883090
eISBN: 9781780886992
Format: Paperback/eBook

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The Dropout
Don’t fall for Paul. He’ll drive you to the edge
by David Gee

The Dropout offers a sly, edgy new twist on themes from The Graduate and American Pie and is a 21st-century ‘coming-of-age’ drama.

19-year-old Paul Barrett is having a tough time at university. His American girlfriend Meredith is a Silver Ring virgin who won’t put out. Their best friend Neil has a worrying crush on Paul. When Meredith dumps Paul and Neil commits suicide, Paul drops out of uni and retreats to the south-coast hometown he calls ‘Boredom-on-Sea’, where he goes to work for his uncle Jack, selling furniture to continental buyers.

Two more women enter his life: Jenny, his uncle’s foxy stepdaughter; and Christine, Jack’s gold-digging mistress, the office receptionist. And Paul attracts another gay admirer. His life is heading to the brink – and taking other lives with him.

Paul’s is the young voice of today – always hoping to get laid, it takes him a while to realise that what he’s really looking for is love.

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Stag Magazine, Surrey University


Furniture World

liverpool student magazine


Sussex Express

David Gee's tongue-in-cheek, if dark, social and sexual satire (a sort of cross between David Lodge and Tom Sharpe) leads us through a topsy-turvy world of sexual shenanigans and unconventional relationships conducted behind the outwardly respectable façade of small town life, a façade which the return of the prodigal son, Paul, cracks wide open, to reveal the unsavoury secrets lurking behind it.

Gee's cynical, somewhat baleful view of human nature could be read as a counterblast to hypocrisy and a salutary reminder of the dire consequences of failure to live life openly and honestly, accepting that, far from being unspeakable aberrations, infidelity, bigamy, sexual-ambiguity, homo- and bi-sexuality, even incest, are all part of the fabric everyday life and should be treated as such. Gee himself has apparently enjoyed (if that's the word) an international jet-setting lifestyle so it is possibly as a result of this that his tone is sometimes jaded and world-weary.

But if this makes The Dropout sound heavy-going and over-earnest, it is in fact, though undeniably often bleak and with a high death-count, also witty, clever, insightful and worldly-wise, with some wry (and often gallows) humour throughout. But there is redemption at the end of the saga, although I won't give away in what form the deus ex machina eventually appears.

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